Four-time Grammy-nominated fiddler, singer, accordionist, and songwriter Cedric Watson is one of the
most influential voices in contemporary Cajun, Creole, and Zydeco music. Originally from Texas and
deeply immersed in the musical traditions of South Louisiana, Watson blends ancestral Creole melodies,
driving Zydeco rhythms, and original compositions into a sound that is both deeply rooted and boldly
forward-looking. Backed by his acclaimed ensemble Bijou Creole, he delivers electrifying performances
that celebrate the rich cultural intersections of African, French, Spanish, and Native American traditions
that continue to shape Louisiana’s musical heritage.
With Bijou Creole, Watson draws from a vast musical heritage, weaving together Creole melodies, Cajun
dance tunes, Zydeco grooves, and the enduring influences of African, French, Spanish, and Native
American traditions. His performances honor the deep cultural exchanges that shaped Louisiana’s unique
musical landscape while bringing a fresh, contemporary voice to the music.
Known for his remarkable versatility and seemingly endless repertoire, Watson moves effortlessly
between traditional Creole songs, rare fiddle tunes, classic Zydeco, and original compositions. A prolific
songwriter, he crafts much of his music on his signature double-row accordion, creating songs that reflect
both personal experience and the rich cultural legacy of his ancestry. His work is informed by a deep
interest in the interconnected roots of Louisiana culture and the communities that shaped it.
Whether performing at an intimate concert hall or an international festival, Cedric Watson delivers music
that is at once soulful, danceable, and deeply expressive. His recordings and live performances capture
the spirit of a living tradition—honoring the past while pushing it confidently into the future.
“We don’t want to forget that one of the biggest contributions to our culture, music and heritage was made
by the Native Americans. I find that the old Zydeco rhythms sound like a mix of African and Native
American ceremonial rhythms. This mélange very possibly came about through the intermingling of the
Native American population and the Maroons.” — Cedric Watson
